Display

Display Non profit space for artistic and curatorial practices

Glad to be part of it! ❥❥❥ Thank you for your trust Simon Wursten Marín, Nicole Schweizer, Musée cantonal des Beaux-Arts...
15/05/2023

Glad to be part of it! ❥❥❥ Thank you for your trust Simon Wursten Marín, Nicole Schweizer, Musée cantonal des Beaux-Arts/Lausanne

«[“Jardin d'Hiver #2: Poems of Change”] devient donc ce jardin, un lieu de contacts, qui déploie la diversité de la scène artistique locale avec des propositions audacieuses exposées dans leur capacité individuelle à relier, suggérer, déconcerter, dans leur caractère parfois insaisissable et en perpétuel mouvement mais dans leur manière de signifier ensemble. C’est cette multitude qui s’empare du musée et instille un doute salutaire dans nos pensées établies, elle brusque et controverse depuis l'intérieur.»
Marie DuPasquier — extrait de: «Jardin d’Hiver #2 Poems of Change»
Simon Wursten Marín (éd.), «Jardin d’Hiver #2. Poems of Change», avec des contributions de Ali-Eddine Abdelkhalek, Marie DuPasquier et Simon Würsten Marin, (FR/EN), 32 p., 20 ill. Musée cantonal des Beaux-Arts de Lausanne, 2023 (coll. Jardin d’Hiver, no 2)
CHF 5.- à la Librairie-Boutique du MCBA

15/05/2023

Last days to visit "Jardins d'hiver: Poems of Change" at Musée cantonal des Beaux-Arts/Lausanne.

Join us for the finissage on May 21st to celebrate this great exhibition curated by Simon Wursten Marín

🦉 🦉

💜 KubaParis & Christina Huber
20/04/2023

💜 KubaParis & Christina Huber

Solo Show by Christina Huber

29/03/2023

[JEUNES COMMISSAIRES]

🟠Appel à candidatures pour la Bourse de voyage et de recherche 2023 !

⚡ La scène artistique allemande est reconnue mondialement, pour son dynamisme à travers un large éventail de structures, et de manifestations dans tous le pays, elle offre de nombreuses opportunités professionnelles pour les jeunes curateur·ice·s.

👉Si vous êtes un·e curateur·ice, français·e ou basé·e en France de moins de 31 ans, si vous construisez ou faites des recherches pour un projet dans lequel un voyage en Allemagne serait pertinent, vous êtes invité·e à candidater à notre Bourse de voyage et de recherche 2023 !

⏰ L'appel à candidature est ouvert jusqu'au 2 mai 2023. Toutes les conditions d'éligibilité et de participation sont disponibles sur notre site JEUNES COMMISSAIRES.
Lien vers l'article concerné : https://www.jeunescommissaires.de/bourse-de-voyage-et-de-recherche-2023-appel-a-candidature/ -4545

La bourse de recherche et de mobilité est une initiative du BDAP dans le cadre du programme Jeunes Commissaires, et soutenue par l' OFAJ DFJW

We are glad to be part of the program “Performance in der Kleine Orangerie” Oct 2-4, at the Kleine Orangerie Charlottenb...
02/09/2022

We are glad to be part of the program “Performance in der Kleine Orangerie” Oct 2-4, at the Kleine Orangerie Charlottenburg as we invited Samantha Bohatsch for their reading performance “5D”. It’s starting tonight at 5pm and Samantha Bohatsch will perform at 7pm.





Samantha Bohatsch (*1984 in Berlin) is an artist and poet who is based in Berlin. They studied in Vienna, Berlin and Karlsruhe (D) where they finished their studies as Meisterschülerin of Silvia Bächli. Bohatsch makes reading performances, text-based sound pieces and installations. They deal with interpersonal relationships and transformation processes, inspired by personal experiences, observations from the internet, q***r and feminist literature, history and pop culture. Bohatsch has received artist fellowships by the Federal State Baden-Württemberg, the Arts Foundation Baden-Württemberg and the German Academic Scholarship Foundation. Their works have been recently shown at Kunsthalle Mainz (D), Galerie Bernau (D) and Kunsthalle Baden-Baden (D) among others.
Picture: Samantha Bohatsch, SWM, 2020. Performance und Ausstellung, Eins zu Eins Festival, Alte Münze Berlin, Berlin 2020. Photo by Jonas Fischer. Copyright: Samantha Bohatsch und VG Bild-Kunst, 2022

Darling You Should Feel LuckyBy  At Display June 4-11, 2022„So they dance these bodies. Together and within. They camouf...
17/06/2022

Darling You Should Feel Lucky
By
At Display
June 4-11, 2022

„So they dance these bodies. Together and within. They camouflage, they shapeshift, they smile; they expand in softness. How soft is the contact before the hit of the touch? A kind of softness that we would long for, like the delicate azure reflections of the faraway. Thus a softness far away from any gendered overtone and overrated opinion but rather lingering through the spectrum of possibilities. “Darling You Should Feel Lucky” is an ode to softness and the multiplicity of perspectives. The malleable beings guide us through the exhibition as to enhance its choreographic features. At the threshold of things, they inhabit desire, where we tend to.“

1 - Seconds Afar, Walnut oil on canvas, 140x110 cm, 2022
2 - Installation view
3 - It’s a Rare Thing To Become Smooth, 190x150 cm, Walnut oil on canvas, 2022

Photo by

Next week, Saturday, June 4, we are opening Christina Huber's solo show 𝑫𝒂𝒓𝒍𝒊𝒏𝒈 𝒀𝒐𝒖 𝑺𝒉𝒐𝒖𝒍𝒅 𝑭𝒆𝒆𝒍 𝑳𝒖𝒄𝒌𝒚 (4.6. - 11.6.22) 🐋...
27/05/2022

Next week, Saturday, June 4, we are opening Christina Huber's solo show 𝑫𝒂𝒓𝒍𝒊𝒏𝒈 𝒀𝒐𝒖 𝑺𝒉𝒐𝒖𝒍𝒅 𝑭𝒆𝒆𝒍 𝑳𝒖𝒄𝒌𝒚 (4.6. - 11.6.22) 🐋

After two years, we're excited to be back in the former Display’s exhibition space for this special occasion, thanks to for hosting us and looking forward to seeing you there.

Exhibition:
'Darling You Should Feel Lucky'
Curated by Marie DuPasquier

Opening:
June 4, 2022 - 6-9pm
Opening hours: Sat-Sun-Wed, 2-6pm
At Display , Mansteinstr. 16, 10783 Berlin

Performances:
June 4, 2022 - from 6pm
Human Polygraph
By Johanna Ackva

June 11, 2022 - from 4pm
Sandbox
By Nina Wesemann & Emeka Ene

The research and exhibition is kindly supported by Stiftung Kunstfonds and Neustart Kultur.
We can also count on the great support of Berlin Distillery

Baitball 02 🌹Here the documentation of the projection of « Membrane », film by Julie Favreau in the particular location ...
31/03/2022

Baitball 02 🌹Here the documentation of the projection of « Membrane », film by Julie Favreau in the particular location of the Chiesa San Giovanni in Polignano a Mare (IT). The film was especially finished for the occasion. So grateful to Julie for being part of this adventure with us and to Baitball team for putting this great exhibit together.



« Would we raise our machines the same as our own kids? What food would we give them? “What kind of influence does our very own personality have on theirs”? Fantasies, desires, fears, discriminations or any systemic bias might well gather and be perpetuated through devices making them unwilling vehicles and agents of our own feats and foibles. During her recent residencies at Rupert (Vilnius) and Very (Berlin), Julie Favreau focused on creating film experiments in which she brings philosophical texts in conversation with voices from her entourage and visual beings. She works them in thin transparent and porous layers that let themselves be infiltrated by each other, like membranes whose limits would fade to finally lose their relevance. In this overlay of voices and images, a «blob» rises from a natural environment and evokes the emergence of a hybrid element that has integrated artificial intelligence, as well as vegetal and human properties. Here, "A sermon for the parents of young machines", by Federico Campagna (2021) gives the nutriment for this unidentifiable being, voguing in suspension to the sound of this voice while the film acts as a question on transmission and as a meditation on symbiosis. » Marie DuPasquier
Membrane
Short film - 9 min. 51 sec. - 2021-2022
By Julie Favreau
Voice : Marie DuPasquier
Text: «A Sermon For the Parents of Young Machines» by Federico Campagna
3D Texturing and Animation: Anastasios Logothetis
3D Modeling: Jean-François Gauthier

Baitball 02 is over but we enjoyed so much being part of this collective experience. Here a few pictures of Maëlle Gross...
29/03/2022

Baitball 02 is over but we enjoyed so much being part of this collective experience. Here a few pictures of Maëlle Gross’s film « Mutter Nail » - awarded by the Swiss Art Awards in 2021 - projected in this outstanding venue of the Chiesa San Giovanni, Polignano a Mare (IT). Thanks for being there with us Maëlle and thanks to the team of Baitball who made it possible🌷.


❤️
« In this video, as is often the case in my work, the personal, the intimate is mixed with the political or with societal issues. Here, the narrative is built from the myth of Diana, goddess of procreation but also of hunting, and is fed by a set of references that are dear to me: Anne Tsing, Donna Haraway or Hélène Cixcous. Between personal and fabulous mythology, it is about transformation, hybridization, nature, or rather a certain idea of nature. I wanted to stage bodies and share the emancipating and liberating power of dance. I wanted to talk about forms, surfaces and backgrounds that contaminate, build and change together in a perpetual movement. » Maëlle Gross

Mutter Nail
2021
17’38’’
By Maëlle Gross
With: Caroline Gasser, Tokyo & Eleni Riga
Sound recording and mixing: Vuk Vukmanovic
Music Composition: Maëlle Gross
Choreography: Tokyo
Set assistant: Léa Graham
Subtitles: Becky Campbell
3D effects: Betran Suris

Baitball 02 is over but we enjoyed so much being part of this collective project. Here a few pictures of Maëlle Gross’s ...
29/03/2022

Baitball 02 is over but we enjoyed so much being part of this collective project. Here a few pictures of Maëlle Gross’s film « Mutter Nail » - awarded by the Swiss Art Awards in 2021 - projected in the outstanding venue of the Chiesa San Giovanni, Polignano a Mare (IT). Thanks for being there with us Maëlle and thanks to the team of Baitball who made it possible🌷


❤️
« In this video, as is often the case in my work, the personal, the intimate is mixed with the political or with societal issues. Here, the narrative is built from the myth of Diana, goddess of procreation but also of hunting, and is fed by a set of references that are dear to me: Anne Tsing, Donna Haraway or Hélène Cixcous. Between personal and fabulous mythology, it is about transformation, hybridization, nature, or rather a certain idea of nature. I wanted to stage bodies and share the emancipating and liberating power of dance. I wanted to talk about forms, surfaces and backgrounds that contaminate, build and change together in a perpetual movement. » Maëlle Gross

Mutter Nail
2021
17’38’’
By Maëlle Gross
With: Caroline Gasser, Tokyo & Eleni Riga
Sound recording and mixing: Vuk Vukmanovic
Music Composition: Maëlle Gross
Choreography: Tokyo
Set assistant: Léa Graham
Subtitles: Becky Campbell
3D effects: Betran Suris

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