23/08/2026
Sometimes the subject of an exhibition and the way that exhibition has been designed come together so perfectly that one makes the other even more powerful.
That happened to me in Berlin, in a small museum hidden away down an alley covered in graffiti and street art. It tells the story of a remarkable man and the blind, visually impaired and deaf Jewish people he tried to protect from the N***s. And, perhaps fittingly, it has been designed so that disabled visitors can experience that story with a remarkable degree of independence.
Otto Weidt was a Berlin brushmaker who, after becoming almost completely blind himself, employed mainly blind, visually impaired and hearing-impaired Jewish workers in his workshop during the N**i regime. A determined opponent of National Socialism, he used his business, bribery, false documents and hiding places to protect his workers from persecution and deportation, helping several to survive. Today, the original workshop is home to the Museum Blindenwerkstatt Otto Weidt, preserving both their stories and the remarkable courage of a man who refused to simply stand by.
The museum is tucked away along a graffiti-laden alley known as Dead Chicken Alley, a haven for street artists just a stone’s throw from the historic Museumsinsel, and is a truly magnificent example of how to make an exhibition dedicated to the persecution of deaf and blind people accessible to all visitors.
The first thing you notice as you get to the top of the stairs on the first floor is the tactile marking denoting the top of the stairs. Just behind this is a pair of tramlines, perfectly suited to running a cane tip along. When you reach the next tactile “flag”, your cane tip is naturally taken to the left towards the reception desk, where they offer you a free audio tour handset. From there, your tip takes you back along the tramlines to the first stopping point – a tactile map of the exhibition, with a handy cane holder to the side so you can have two free hands to explore it.
All the way around, these tactile flags naturally take you to the left or right and stop exactly beside the next point on the tour, which you listen to by feeling across the Braille numbering – or tactile numbers for those who don’t read Braille.
Listening to the story of how this unlikely hero of the Holocaust used his connections and experience to outmanoeuvre the authorities and protect some of the most vulnerable disabled Jewish people from an almost certain fate, while also hiding and protecting Jewish families in and around his factories, was truly heartbreaking. It is a story every bit as deserving of being told as so many of the other moving stories about the heroes of this era.
And for an exhibition telling the story of the persecution of blind and deaf people to also be one of the most accessible museum experiences I’ve ever had really did bring a lump to my throat.