08/27/2026
Looking Better Than A Body Has A Right To
Dolly Parton died this week. She was eighty.
I've been thinking about her all morning, and not for the reason you'd expect from a guy in my line of work.
There's a line in one of her songs β looking better than a body has a right to β and it's been rattling around in my head since I heard the news. She wrote it as a compliment aimed at somebody else. A little flirtation. Playful. But sitting here today it landed differently, because it turns out that's exactly what she did with her whole life. She lived better than a body has a right to.
Not longer. I don't want to sell you something that isn't true. Eighty is a good long run, but it isn't extraordinary. Plenty of people make eighty. Plenty make more. And she died of cancer, which is a thing that comes for people regardless of how well they've lived or how much light they put into the world, and I'm not going to stand here and pretend otherwise.
What was extraordinary wasn't the length.
It was that she was all the way alive for almost every single day of it.
There's a term for that in the work I do. We call it HEALTHSPAN β as opposed to lifespan. Lifespan is how many years you get. Healthspan is how many of those years you actually get to live in. Fully. Sharp and strong and capable and present. And here's the brutal truth about most Americans right now: those two numbers have drifted a long way apart. The average person spends somewhere in the neighborhood of a decade at the end β sometimes more β in a state of decline. Diminished. Managed. Present but not participating. We got very good at extending the lifespan with modern medicine and never got serious about extending the part worth having.
Dolly didn't do that.
She was writing songs in her seventies. Building things. Running an empire. Showing up. Putting on the whole show β the hair, the rhinestones, the works β well past the age when the world stops expecting anything from you and quietly hands you a chair in the corner. She kept giving books to children. She kept working. She was, by every account, still absolutely and unmistakably herself right up until she wasn't.
That's the goal. That is the entire goal, right there, and she just showed all of us what it looks like.
You want to know what I actually want for you? It's not a number. I don't care about a hundred. Nobody wants a hundred years if the last twenty-five are spent in a body that quit on them and a mind that's fogged over and a life they're watching from the sidelines. That's not a gift, that's a sentence.
What I want for you is the shape of it. I want the graph to stay flat and high and then fall off a cliff at the very end. I want you strong at seventy. I want you sharp at eighty. I want you to be the one at the family reunion who everybody's a little in awe of because you're still you β still funny, still curious, still getting into things, still with some mischief left in your eyes.
I want you to run out of years before you run out of life.
That's what she did. She ran out of years first. The living part was still going full tilt right up to the end. And I think that's the most instructive thing about her that nobody's going to say this week amid all the very deserved tributes to the music.
Here's the part that matters for you and me.
That kind of ending doesn't happen by accident. It doesn't happen by luck, and it sure as hell doesn't happen by waiting. It gets built. Decision by unglamorous decision, in your forties and fifties and sixties, in a thousand ordinary moments nobody's watching. The strength you're building right now is the strength you'll be spending at seventy-five. The metabolic health you protect this decade is what determines whether the next one is a chapter or an epilogue. The hormones, the muscle, the sleep, the inflammation, the whole boring unphotogenic business of taking care of the machine you live inside β that's not vanity, and it's not optional, and it is not something to get to later.
It's the down payment on being the person still lighting up a room at eighty.
She sang a song once about a coat her mama sewed out of rags β a nothing coat, a poor kid's coat, that she wore like it was the finest thing anybody ever owned. And I've thought about that story a lot over the years, because that's the thing about her that always got me. She never once acted like she'd been handed less than she deserved. She just took whatever was in front of her and made it shine.
You've got a body. Might not be the one you wanted. Might be a few miles harder than you'd like, carrying some things you didn't ask for. Doesn't matter.
Wear it like it's the finest thing anybody ever owned.
Take care of it like it's going to have to carry you somewhere important β because it is.
And when your years finally run out, let them find you still going. Still curious. Still lit up.
Still looking better than a body has a right to.
Rest easy, Dolly. You showed us how.