08/27/2015
The book, "100 New York Calligraphers" by Cynthia Maris Dantzic exquisitely catalogues 100 renowned and promising New Yorker calligraphers. Each artist profile includes a picture and a small bio regarding their work and prestige. Most importantly, the calligraphers’ works are lovingly reproduced, enabling the reader to enjoy the creativity and expressiveness of the calligraphers’ art. The literal “written word” is often thought of as basic and utilitarian. Today in particular, we focus on typeface and font—mere pixilation of language. Calligraphy is the manifestation of something basic turned into something artistic. As this book exemplifies, letters themselves sometimes mean more than the text alone, as Michele Barnes’ work teaches us. Imagine Star Wars without John William’s score. Like movie score composers, calligraphers provide additional nuances, which can evoke thoughts and feelings that the words alone cannot do. Christopher Calderhead, author of The World Encyclopedia of Calligraphy, is featured with the up-and-coming Laura Di Piazza, whose copperplate is exceptional. Ted Simcha Kadin’s “Hamlet soliloquy, Shakespeare” is as mesmerizing as Shirin Neshat’s work is arresting. Just about every type of calligraphy and script is included, including examples of Suhas Tavkar’s Nakha Chitra (fingernail embossing) and Eleanor Winters’ overlay work. Calligraphy enthusiasts should not overlook this book for both inspiration and reflection. This is not an instructional book on calligraphy. Though technique is briefly touched on, the purpose of this book is not to educate the reader in replicating the works of these 100 calligraphers. What this book set out do to, and succeeds at doing, is highlight the magnificent artwork of 100 New York artists who are often underappreciated because their art form is undeservedly less celebrated. I am grateful to have received an advanced copy from the publisher and NetGalley. By Alex W, Reviewer