05/25/2026
From small-bed zinnia warriors to folks tending hundreds of acres, most of my yoga students garden or farm in some way. Before every class, there is inevitable chatter about when the tomatoes are going into the ground, how someone hurt their back feeding the livestock, or does anyone know someone who fixes lawn mowers. Someone will share paw paws from their tree, tomatoes from their garden, or bulbs from their grandmother’s prize-winning irises. There is also much discourse about rain, either the lack of it or how there’s been too much, or do we think it’s gonna rain today?
This week, the discussion was about crop rotation, something I haven’t thought about much in my life. But, for people who live off the land, it is a topic of great importance. In Kentucky, the practice of crop rotation is a turning and a returning, a trust that what rests today might nourish us tomorrow.
I learned that, for much of the early 20th century, Kentucky wisdom held that rotating grain crops like corn with grasses like wheat resulted in the sweetest corn. But that practice faded in many parts of the state during the 1950s and 1960s as farmers increasingly relied on fertilizers and pesticides instead of rotation.
In 1981, University of Kentucky Agronomists James Herbek and Lloyd Murdock launched a modern corn-soybean rotation study that showed that corn grown alternately with soybeans averaged about 10 bushels per acre more than continuous corn, helping to reestablish crop rotation as a core practice in Kentucky farming.
It’s a long-game love note to the land. One season, corn, tall and reaching. The next, soy, returning nitrogen to the earth. Then perhaps clover, or wheat, or simply a fallow pause where nothing is demanded and everything is quietly restored.
I often think of my creativity like corn, with constant output, visible growth, and measurable productivity. Write more. Produce more. Share more. I long to be like the Stephen Kings and the Mary Olivers, those giants who bookmarked each day by a certain number of words. But after a scant few minutes of watching a blinking cursor, I’m apt to give it up because don’t the dishes need washing and shouldn’t I go sweep the floors? It’s harvesting in a different way, this insatiable need to feel productive.
As the house gets cleaner and the words grow further apart, I can’t help but wonder if crop rotation isn’t the same sacred pattern as writing. Like the soil, I cannot give indefinitely without tending to what replenishes me. Without rotation, even the richest ground becomes depleted.
A creative block, then, is not failure, but fallow land. There is no shame in a resting field. No farmer stands at the edge of a quiet plot and demands it yield. They understand that microbes are rebuilding, nutrients are cycling, and the soil is remembering itself.
What if I extended myself the same grace? I haven’t been writing much lately. In fact, this piece is the first thing I’ve written in many weeks. I’ve been publishing pieces I’ve written in the last few years during especially fruitful bursts of creativity.
The once-fertile landscape of my imagination seems barren, but a writing block doesn’t feel irreparable, because I know something is being restored beneath the surface. It’s taken me five decades to see that a creative life is a spiral, circling from quiet input to outward expression, from growth to deep rest.
So now I rest. I tap dance. Play my guitar. Read lots of fiction. Play in my art journal, painting, collaging, and dreaming in a new way. I shall wander, gather, and compost experience.
Because the rains will come, they always do. And with it, the words. Not despite the rest, but because of it.
See y’all in the fall.